Personal one - Simon Bernhardt interview
Could you introduce yourself and tell us a little about your journey as a photographer?
My name is Simon Bernhardt, I am a commercial / fine art photographer and author. I first started my photography career at the age of 16, as a freelance photographic assistant for some of Australia’s, and then international top fashion and advertising photographers. Soon after, I began taking on my own photographic commissions.
How would you describe your style or approach to photography? My photographic style would be described as conceptual, minimal, cinematic, and uncompromisingly direct. My contemporary portrait projects and publications, there lies a balance between the intimate and the confrontational. Whereas my minimalist approach to urban landscapes, these compositions strip away the unnecessary visual noise, while still holding depth and subtle narrative tension.
“ I want viewers to feel a connection—whether it’s a spark, a sense of curiosity, or even a provocation to just think differently.
When did you first hear about this exhibition? Since the beginning, which I believe is 13 exhibitions now.
Is this your first time participating, or have you been part of it before?
Been part of it before.
If you’ve attended in past years, what’s your strongest memory of the exhibition?
Celebrating my birthday at one of the exhibitions.
How did it feel to see all the works displayed together on the wall in past editions? Great!
What does it mean to you personally to be part of this collective exhibition?
It holds deep personal meaning for me. It’s not just about the work, but about standing alongside other artists to contribute to something larger than ourselves. Especially for a cause that directly supports people in need. The work takes on a new life, beyond the walls of the gallery. I feel grateful and humbled to be able to use my practice in a way that gives something back.
“ My work has become more focused on conceptual ideas, whether through portraiture, urban landscapes, or everyday observations.
What do you hope audiences will take away from experiencing your work here? I want viewers to feel a connection—whether it’s a spark, a sense of curiosity, or even a provocation to just think differently.
How do you see the photography scene today, especially with younger generations coming through? The photography scene today is vibrant and evolving, with younger generations obviously at the forefront with their willingness to experiment and learn from previous generations, coupled with a commitment to authenticity and inclusivity. This will shape a more diverse and expressive visual culture in Australian photography.
Has the exhibition influenced or inspired your perspective on photography in any way? Yes! I am always inspired by new photographic ideas.
What projects have you been working on recently (If you can tell)? A new publication, entitled; Square Scapes II, which was just released. Additionally, an on-going project, that is featured here this evening, entitled; Darkness Only Stays at Night which is a collection of haunting, dreamlike photographs.
Is there a future project you’re particularly excited about and would like to share? A new exhibition and publication, launching at the start of 2026. Highlighting the importance of mens mental health.
Looking back, is there a past project you consider a milestone or turning point in your career? Photographing and meeting his Holiness the Dalai Lama, whose energy, love and presence left a lasting impression on me.
How has your photography evolved from when you first started until today? When I first started, my photography was about exploring technical skill and capturing what I found visually striking. Over time, it has evolved into a more deliberate and conceptual practice. Today, I’m interested in the emotional, social, and psychological layers that a photographic project can reveal.
My work has become more focused on conceptual ideas, whether through portraiture, urban landscapes, or everyday observations. In essence, it’s moved from simply recording the world, to interpreting and questioning it, while still maintaining a strong visual and formal sensibility.
What inspires you right now—whether in photography or beyond? The human condition and all forms of contemporary art, film, literature and music.
What equipment are you currently using, and why? Canon, Fuji and Hasselblad. Because, it's what I prefer.
How does your gear shape your process or the kind of results you aim for? My photography isn’t driven by gear. I see the camera as a tool, not the focus. What matters most is the moment, the composition, and the way I engage with the subject or scene.
The process and results I aim for, are shaped more by observation and intention, than by the equipment I use.
Is there a photographer, work, or experience that has been especially influential in your path? The Australian painter, Jeffrey Smart. William Eggleston. Stephen Shore. Irving Penn.
What advice would you give to amateur photographers visiting the exhibition? Take your time. Study technique, not just subject. Ask questions. Experiment.
Don’t compare yourself harshly. Lastly don’t be a know-it-all CUNT — be open, listen, and be ready to learn.
Don't miss the chance to check Simon's web.